Topic: The "woke" discussion thread
![]()
|
||||||||
|
You are not logged in. Please login or register. The "woke" discussion thread (Page 1 of 4)Forums - Next Episode → General Discussions → The "woke" discussion thread Posts: 1 to 25 of 831 2025-11-26 23:47:32 (edited by Deke 2026-01-31 11:46:12)Topic: The "woke" discussion thread
2 2025-11-27 00:45:44 (edited by g371 2025-11-27 00:54:53)Re: The "woke" discussion threadDeke wrote:
It rarely has to do anything with "diversity" (not counting Egypt suing about Cleopatra level stuff), usually it's about an insult to intelligence, when the woke vomit is being shoved in your face by some "revolutionary" writer/director/studio/investor and that's why such services has a demand and exist. Will check this out, when I have strong suspicion, to not waste time, I go to IMDB reviews and simply search for "woke" - if it is really bad, somebody will write it in a review But crying about this is hilarious, you picked a fight - it has a side effect of people actually arriving to that fight Re: The "woke" discussion threadDeke wrote:
In all fairness, its not about being anti diversity at all, i dont really have an issue with race swapping at all (albeit, i would love to see the uproar if Ryan Gosling was casted to play Black Panther), however, as a father of three little kids, I would rather not have them watching content that encourages (or affirms) men cutting of their genitalia in attempt to become more feminine. I think its an interesting discussion and am happy to open a thread to discuss this topic in a civil manner. Re: The "woke" discussion threadg371 wrote:
Lets take this discussion to another thread, i find it interesting to discuss if we can manage it in a civil manner - which sadly humanity seems to be lacking. Re: The "woke" discussion threadDiscussion split off as suggested. Some shows you might <3 too: https://next-episode.net/messiah https://next-episode.net/devs https://next-episode.net/ted-lasso https://next-episode.net/the-outsider
https://next-episode.net/chernobyl https://next-episode.net/alex-rider https://next-episode.net/the-expanse https://next-episode.net/lovecraft-country https://next-episode.net/into-the-night https://next-episode.net/utopia Re: The "woke" discussion threadnightcrow wrote:
I agree. I don't really care that a black man was cast as Little John or that a girl pretends to be Ralph or a skinny man as Fryar Tuck, it is not reality breaking. 7 2025-11-27 18:33:49 (edited by jim1961 2025-11-28 11:05:28)Re: The "woke" discussion threadNow more than ever, we live in a time of exposure. That is, nothing is taboo anymore. Whether it be racism, political affiliations or sexual orientation, both minority and majority points of view are out there. As human beings, I think we all hold both majority and minority points of view within our thoughts. And whatever your point of view or opinion, generally, we don't like our deepest beliefs and convictions challenged and thrown in our faces over and over again. But that is the world we live in. We either try to ignore it or we regress into a safe corner somewhere to avoid it. As for its place in mainstream TV, I have no opinion about it for my criteria about what I watch remains unchanged. I either like it or I don't. I choose to watch it or I don't. 8 2025-11-27 20:28:48 (edited by WilliamDrakeMcGregor 2025-11-27 20:29:11)Re: The "woke" discussion threadThe only thing bothersome to me is the double standard. As long as there is an unspoken rule that in this day and age you cannot switch a diverse character with a white character, a female with male or a LGBTQ+ character with a straight person...that to me is "woke". When it's only allowed one way, how is it any different from white actors going Black Face back in the day? Just to be clear - bothersome doesn't mean I don't watch or enjoy shows because of that Deserved more runtime:
Abbys | Dead Like Me | Devs | Firefly | Gangsta. | Jack of all Trades | Kevin (probably) saves the World | Lodge 49 | Mrs. Davis | NYC 22 | Powerless | Roadkill | Special Unit 2 | Stumptown | Surface | The Brave | The Crazy Ones | The Finder | The Middleman | Truth Seekers | Two Weeks to Live | Whiskey Cavalier https://next-episode.net/user/WilliamDrakeMcGregor/ Re: The "woke" discussion threadIf the radical left can change the definition of "woman" then the definition of "woke" can definitely be changed from what it meant in the 30's unless you are some sort of conservative that blindly sticks to tradition? Re: The "woke" discussion threadDeke wrote:
> but I'll be f*cked if I let this one go. Language changes and evolves over time: Accept it. It really doesn't matter what a word used to mean if that's not the meaning today. "Gay" used to mean happy, just like in most Christmas songs about "have a gay ole time". But that's not the meaning it carries today. > connotations by the 1970s 11 2025-11-28 06:35:31 (edited by SgtSaint 2025-11-28 06:36:05)Re: The "woke" discussion threadWilliamDrakeMcGregor wrote:
100% - ranging from how every show has to have 80% minority casting to represent 15% actual demographic - yet its fine to have 100% black shows and even a dedicated "Black Entertainment Television" network, but if I tried to launch a "White Broadcasting Network" then I'd be a klansman.
is totally fine and that person is seen as a loyal member of their community. But if someone says
They'd be vilified in every social media platform and pretty much every new network in the country. Its only racist in one direction - and that's part of what makes it the 2025 definition of "woke". Re: The "woke" discussion threadHope no one minds, but I'm gonna jump in to this fascinating conversation... and congratulations on having a civil conversation about such a touchy subject. It's good to see. I grew up conservative, live among conservatives, and generally sympathize with many of the core components of conservatism, but I don't consider myself either conservative or liberal. I can defend conservatives as a whole because most of my friends and loved ones are conservative and I know where their hearts lie. At the same time, I do NOT feel a need to defend any and all conservative talking points, especially the partisan "team" mentality and the kneejerk reaction of hating everything the left does just because the left does it. I will freely criticize either side when they deserve it and will freely defend either side when they deserve it. I don't tolerate bad logic or dishonest rhetoric and work very hard to avoid it myself as I try to be as objective as possible, although I am human and readily acknowledge my own failings and shortcomings. Conservatives tend to use the term "woke" as a shorthand for all things connected to the most recent set of ideological rhetoric and tactics used by the left, mostly surrounding topics of race, gender, sexuality, et al (i.e. the ill-named "diversity" groups). While I try to avoid using the term myself, as it is laden with too much baggage to be useful, as it relates to entertainment and the media, this is one topic where I sympathize much more with conservatives than I do with liberals. A conservative's primary frustration mostly centers on the hyper-fixation on a person's group identity as the most important aspect of who a person is - whether the person in question is a character or the actor behind the character. Conservatives have long been accustomed to characters who were female, gay, minority, etc... Many are well-liked, but when a lead character's primary selling point is their group identity, that's where things become problematic. Shoehorning group identity into every role is bothersome, but especially when it is done to the detriment of the final product. This is particularly true when it damages well-loved franchises and made even worse when one company (Disney) has a virtual monopoly on a large set of formerly male-oriented intellectual property. Audiences loved Wonder Woman in 2017, but hated Captain Marvel two years later. Is that misogyny or is it bad writing, bad producing, and bad acting? The Miles Morales Spider-Man is well-liked and we have Samuel L. Jackson as Nick Fury, Idris Elba as Heimdall, and Jason Momoa as Aquaman, who are all generally well-liked. So, backlash against other race-swapping decisions, such as in The Little Mermaid, is not primarily due to racism. It is opposition to casting and writing decisions that aren't focused on producing good movies and TV shows, but on pushing an ideological agenda that is actively damaging franchises that people have loved for generations. The race swapping mentioned above didn't harm the end product, but that doesn't mean that all race/gender swapping won't harm the end product. And despite the consistency with which such group identity focused media flops, Disney seems completely tone-deaf to why this is happening. They continue to blithely run rough-shod over the expressed wishes of the core fan base. I am reminded of the classic line from Joe Dirt: "It's not what you like, it's the consumer." I don't need or want a white Black Panther. That would be dumb, but I wish the left would see how equally dumb it is to want a female to arbitrarily replacing a male character or to shoehorn group identity into media that simply doesn't need it. You want a gay/female/minority character? Write a good one and people will flock to see it. But don't hijack or sabotage a white/male/straight character to satisfy the mob, especially if you can't do it without producing garbage in the process. Re: The "woke" discussion threadUsing the past to justify the present has always struck me as a weak argument. Re: The "woke" discussion threadguytron wrote:
I don't know who you are talking about, but I do agree with the mindset that historical people shouldn't be race swapped. I think that we need to try to understand why these kind of practices take place and why it's so necessary to be part of our entertainment. Re: The "woke" discussion threadWilliamDrakeMcGregor wrote:
Double standards are bad no matter if you're woke, straight, gay or otherwise. I would hate to see Ryan Gosling play Black Panther, but if any individual chases 100% equality or supports race swapping, then they also can't have an issue if that DOES happen. Re: The "woke" discussion threadIn my mind its quite simple - if the story is written or rewritten to suit another agenda that the actual story, then its clear whats important to the creators. And tv/film creators are the worst in this category. So yeah, they have a right to stir things up, shake around old habits etc and promote whoever they want to portray whatever they want(essentially) but the second THATS more important than the message in the story - then its done for me. There have been so many failed attempts at success following this hellbent opinion so I am beginning to wonder if the industry is even interested in making genuine and honest stuff anymore. It seems we live in a age of politics, not entertainment (apart from a few that still believe in the latter) 18 2025-12-01 01:20:06 (edited by TeaAndApathy 2025-12-01 01:24:38)Re: The "woke" discussion threadPerhaps you're all forgetting one thing: it's all about the money. If the production companies can pull in a new audience by changing a character or three? Accounting approves as does Marketing. It's also about the image. Being, or at least looking, modern. The chance of alienating one group may not matter to them in the interest of drawing in/keeping a younger crowd - who may keep watching for years. Re: The "woke" discussion threadTeaAndApathy wrote:
True. But several of those directors that have gone the woke path, are outspoken activists..so its more access to spend money thats important to them. It sure isn't artistic integrity, revenue and such trivial things... The one glimmer of light in this is that it seems the direction is shifting so slightly - at least the heavy messaging is toned down somewhat. I guess companies want to earn money again. 20 2025-12-02 00:14:10 (edited by g371 2025-12-02 00:30:46)Re: The "woke" discussion threadTeaAndApathy wrote:
It partially is about money, but the context is different. If woke would be profitable, everybody would do it - like everywhere in every country, but it's not. Some time ago huge money guys started adding conditions to their money - random DEI bs and alike. So, if you wanted their money, you needed to do x, y, z. I don't believe for a second that at least initially that was about saving the planet from something, the only thing that makes sense to me, is to avoid/replace a class war with a culture war. Because in class war the target are those money guys, simple as that Re: The "woke" discussion thread"If woke would be profitable, everybody would do it - like everywhere in every country," But, I agree - it won't end and that's a good thing. I believe in inclusivity, but I do have exceptions. Everyone should be aware of unequal or unfair treatment based merely upon ridiculous prejudices and myths and those who see it should show it as the offense they feel it is. Hollywood is not a total disaster nor has it become a monstrosity - you just don't like this or that because it doesn't jive with YOUR sensibilities. Or maybe mine. So I may or may not watch (I'm open to trying). The same should go for you instead of railing against seeing people who don't look like you or act too much like what you don't like. And it will all probably change again someday. Besides, a big part of TV/movies is the idea of possibility - that someday we may have/have more/have less [fill in the blank] and we can start treating each other as just people instead of slicing and dicing everyone's identities. BTW, when I say "you" I don't necessarily mean you specifically. Re: The "woke" discussion threadCould have sworn we all agreed that our problem is with hamfisted politics or religion painting an otherwise good stories and characters. There's a way to do it right, see Hazbin Hotel. Re: The "woke" discussion threadIf companies were making these decisions based purely (or even just primarily) on the question of profitability, we wouldn't be seeing companies doubling down on something that has been a proven losing strategy time and time again. I keep going back to what an abysmal job Disney has done with these golden goose franchises (largely, I keep bringing them up because I used to love several of these franchises and now I'm just 'meh' about them, so it bums me out that one company is systematically spoiling things I used to love). They have allowed profit to take a backseat to ideology too an extreme degree, even when it is clearly giving them huge losses with franchises that should be raking in the cash. Re: The "woke" discussion threadlot of people whining about white historical figures being cast as black but they don't seem to take issue with a white jesus. people have been race-swapping characters - even historical figures - for a looooooong time. maybe we should just accept that when people tell stories they adapt them to make it more salient to their audience and maybe you specifically are not always part of that intended audience and that's fine. it only becomes an issue when there's power dynamics involved: marginalized groups are further marginalized, cultural appropriation by a dominant group erases authentic cultural expressions, identity traits are used as props or objects of ridicule, stereotypes are used to embolden xenophobia, dominant groups wield their power and connections to exclude other groups from participating fully in society or culture and thereby entrenching an unjust and unjustified social hierarchy based on inherent traits (aka "old boy's clubs"), etc. most "wokery" only seems like a double-standard if you choose to ignore material, social, or historical factors, flatten everything to it's most simplistic, and only engage in extremely superficial analysis can it go too far? of course it can, and does sometimes. but let's save our criticism for when it actually does, rather than complaining every time a movie remake gets a black character or there's a show about a queer person. otherwise you'll have a real "girl who cries wolf" situation on your hands Re: The "woke" discussion threadjays wrote:
No one here is complaining about race swapping. The complaint is about inserting group identity into characters, particularly for ideological reasons and most egregiously, when doing so makes the end product worse. Then the problem is exacerbated when the film/show flops and the creators claim that it is purely because of racism/misogyny/homophobia/transphobia. I've already ragged on Disney for their abominable handling of once-great franchises. So, let's switch it up... Doctor Who is a great example because we can see the trend over time, what works and what clearly doesn't. Using the figures from Wikipedia's series-by-series breakdown, since the 2005 revival, the show consistently had 7-8 million viewers for each series up to Capaldi. Capaldi's first series was on the lower end of the new Doctor's viewership with 7.26 (Matt Smith's first series did 7.25, but rose in subsequent years). But Capaldi went down each year, bottoming out at 5.46 by the end of his run. That's a 1.8 million viewer loss from year 1 to year 3. Whittaker's first series did amazingly well, almost hitting 8 million, better than any prior revival series, except Tennant's final series (of his original run). Then it quickly went into freefall. Her second series immediately went below Capaldi's low to 5.4, a loss of 2.56 million viewers after just one year - 30% worse than Capaldi's entire run. And it continued to decline for her third year, ending at 4.95, for a total loss over her 3 years of 3.01 million viewers. The last time the show was seeing these kinds of dismal numbers was just before the 1989 "hiatus". I don't entirely blame Whittaker. When she was first cast as The Doctor, I was really pulling for her to be a great Doctor and I liked some of her first year episodes. I don't actually think she was an inherently bad choice to play The Doctor, but try as I might, the show just wasn't fun anymore. It was plagued by scripts filled with ideological slop, terrible stories, and a joke of a showrunner. Sadly, it hasn't gotten any better since Russel T. Davies came back on board because the ideology is still there... And so we come to Ncuti Gatwa. I thought his personality was a great fit for The Doctor - he was energetic, upbeat, optimistic. Everything a Doctor should be. But then they turned the ideology up to compensate and it completely tanked, even with Disney+ promoting it (albeit weakly) in the US. Gatwa's first series was an abyssmal 3.97 and his second was 3.23. Those are the lowest viewership numbers in the shows history - worse (by far) than even Colin Baker and Sylvester McCoy. I can't help but think that Gatwa was hamstrung by Tennant's return for the specials in 2023 - and not in the way you may think. With Tennant's short return, they could have reinvigorated the show - shown everyone that the heart and soul of Doctor Who was still there. In fact, that was kind of explicitly stated in the specials... can't remember the exact line, but it came across to me as a kind of humble acknowledgment that the show had gotten a little off track, but now we're back to true DW form. I think it was something about reminding the Doctor who he is or something like that. Except they didn't deliver on that promise. Instead, they sent a clear message to the fans: we no longer care about making a good show, we only care about "The Message". They gave the fans a clear middle finger and used their favorite Doctor to do it. And Gatwa reaped the rewards - not that he's purely a victim of this, since I could hardly make it through his first series, the ideology was so thick. jays wrote:
That argument holds no water. If that were true, then why have so many franchises (particularly those held by Disney, like Marvel and Star Wars) so thoroughly gone out of their way to alienate their core fanbase? jays wrote:
So much to unpack in this paragraph. Give me some concrete examples of the kinds of things you are talking about from the last... let's say 20 years to be generous. I'm not arguing that it doesn't happen, but if we're going to have a meaningful discussion about it, let's have some concrete examples to work with. Give me the worst/most egregious examples you can think of. jays wrote:
I'd say that nothing is more simplistic and superficial than focusing on group identity over everything else, which is what the arguments in this thread are pointing out. jays wrote:
Literally no one in this thread has made any these complaints and you discredit yourself when you resort to using logical fallacies to "win". So rewind and try again. Let's start with giving us some concrete examples of what you are talking about. Don't say "there's too many", just give us the best examples of the problem you claim is being "fixed" by movies and shows focusing on group identity. Posts: 1 to 25 of 83Forums - Next Episode → General Discussions → The "woke" discussion thread |
||||||||